Arts Commission raises concerns over process after mural installed before its review

The Palm Springs Public Arts Commission has approved a mural application for “The Stars Are Our Ancestors” amid concerns that the artwork was installed before receiving proper approval.

During their regular monthly meeting earlier this month, commissioners questioned why the Jeffrey Gibson mosaic at The Thompson Hotel was installed before the application was brought to the commission for review. They expressed frustration over being asked to evaluate art that was already in place, noting the move circumvented the standard approval process and could set a problematic precedent for future public art projects.

“It’s a disservice to the community in the process to ask us to review something that can’t be modified,” said Commission Chair Gary Armstrong.

Armstrong explained that the commission’s role was to host a public hearing to address any aesthetic concerns, while the Planning Department is responsible for mural oversight.

Abigail Rust, art collection manager for The Hall Group, acknowledged the procedural issue, assuring the commission that it was not the intent of the hotel’s owners to avoid the public process. 

“This was a late addition to the hotel’s arts program,” Rust explained. “Our intention is to be a compliant member of the community. This wasn’t meant to be a disruption in any way.”

Despite procedural concerns, the commission unanimously approved the mural application, with commissioners praising the artwork itself. “It’s a beautiful piece,” Commissioner Lauri Kibby said.

The mosaic, which measures 15 feet at its highest point and spans approximately 56 feet across three walls, is located at 414 North Palm Canyon Drive. The artist created the work in partnership with an Italian mosaicist studio, with sections shipped to Palm Springs on wire mesh and installed on site.

According to Rust, the title “The Stars Are Our Ancestors” encourages reflection on humans’ relationship with Earth and invites viewers to participate in its message of stewardship and inclusivity. Gibson’s work is part of major institutional collections across the United States and often reflects his experience as an Indigenous American.

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